For the first time the final exhibition of the Thun Ceramic Residency will not be brought together by a curator, but we are honoured to welcome back Giles Round (resident in 2017) as exhibition designer.
Giles Round (b. 1976) lives and works in London, United Kingdom. He graduated from a BA at Middlesex and subsequently an MA from the Royal College of Art, London. His practice ranges across several media and includes design, ready made and ceramic objects, architectural screens and paintings among others. His installations often unfold as spaces for potential habitation, allowing the viewer to project themselves into the work.
Solo Exhibitions include The Director, The Hepworth Wakefield, West Yorkshire (2018); 1967, Goswell Road, Paris, (2018); They bow. Curtain. No applause., Spike Island, Bristol, (2017) and We live in the office, The Architecture Gallery, RIBA, London, (2016). He is also the art director for Serpentine Galleries General Ecology series The Shape of the Circle in the Mind of a Fish, (2018 to present). Amongst other books he designed the monograph Edge of Tomorrow – Lucy Raven, together with Roland Brauchli, published by Koenig London, (2017). He was in charge of the exhibition design with Andrés Ros Soto, Magnificent Obsessions at Sainsbury Centre, Norfolk, 2016 and Francis Bacon & the Masters, (2015). He created the set design for live and filmed works of artist Cally Spooner including And You Were Wonderful, On Stage, (2013 – 2015) and He’s In A Great Place!, BMW Live Performance Room commission, Tate Modern, London, (2014). Further on Giles oversaw the exhibition design and curation, Ljubljana, 1955, (2015). [Partially recreated in Repétition, Villa Empain, Brussels, 2016] as well as The Influence of Furniture on Love, together with Lotte Juul Petersen at Wysing Farmhouse, Cambridgeshire, (2014).