All posts by “thunceramicresidency

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Dolomiten

Read about the 2017 exhibition and a short interview with Leo   here.

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Alto Adige Innovazione

You can read more about Beckett and ceramics here.

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Corriere del Trentino

Silvia  wrote an article about the inspiration of our residents for the Corriere del Trentino! Read about it here.

TCR2018

Seeing a stone seat by the kerb I sat down and crossed my legs, like Walther.

Published on the occasion of the third exhibition of the Thun Ceramic Residency in July  2017. Includes the essay “Seeing a stone seat by the kerb I sat down and crossed my legs, like Walther.” by Eva von Ingram Harpf, founder independent curator and founder of y-contemporary. Please email us if you want to order one. Price:  €3 + Shipping

TCR second Publication

1000 Things Happening at The Same Time

Published on the occasion of the second exhibition of the Thun Ceramic Residency in October  2016. Includes the essay “1000 Things Happening at The Same Time” by Samuel Leuenberger, founder of the exhibition space SALTS and curator of Art Basel Parcours. Please email us if you want to order one. Price:  €3 + Shipping

Artist in Residence 2017

09.06.2017

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Giles Round (b. 1976) lives and works in London, United Kingdom. He graduated from a BA at Middlesex and subsequently an MA from the Royal College of Art, London. His works are dense with historical references, often comic and materially various. Giles creates sculptures and assemblages composed of an array of materials, which includes ready made and ceramic objects, architectural screens and paintings. In his exhibitions he arranges these objects so as to divide space and invite a directed movement around a room. He appropriates craft and design into an art context in an attempt to collapse the hierarchies of applied and fine arts. More mischevous undertones are often camouflaged by safe and interior aesthetics.A firm believer that design and architecture play an active role in well-being, Giles’ work uses these tactics to create immersive and thought-provoking viewer experiences.

Recent solo and collaborative exhibitions include: They bow. Curtain. No applause., Spike Island, Bristol (2017); Design Work Leisure, part of ‘Underline’, Art on the Underground, London, (2015–2016); Printshop!, with Edwin Pickstone, Tramway, Glasgow, (2016); Ettore. Sorry!, J.W.Anderson Workshops, London, (2016); Ljubljana, 1955, Galerija Jakopič, part of Over you/you, 31st Biennial of Graphic Arts, Ljubljana, (2015); AGAIN! SORRY! AGAIN! SORRY!, YOUNG TEAM, London, (2015); The Grantchester Pottery paints the stage, Jerwood Visual Arts, London, (2015)

Seeing a stone seat by the kerb I sat down and crossed my legs, like Walther.

curated by Eva von Ingram Harpf

OPENING: 18.07.2017

Exh. Opening Hours:   Wednesday, 19.07 – Friday, 21.07.2017 from 3-7pm and until August 14.08.2017 open by appointment

Lindsay Lawson
Jimena Mendoza
Giles Round

Taking its title from Samuel Beckett’s fascination with the South Tyrolian Middle High German lyric poet Walther von der Vogelweide, Seeing a stone seat by the kerb I sat down and crossed my legs, like Walther. is the third exhibition of the Thun Ceramic Residency.

This year’s artists in residence, Lindsay Lawson (b. 1982), Jimena Mendoza (b. 1979) and Giles Round (b. 1976) will exhibit a selection of the over one hundred artworks they made during their stay in Bolzano throughout the past two months. Similar to previous iterations, the artists drew influence from their unique surroundings. Ranging from the rocky cliffs rising above the city, to excursions which led them to discover cultural peculiarities from Val Gardena to Verona, the exhibited works are a condensation of their own individual practices mixed with their experiences whilst in residence at THUN.

These year’s exhibition venues tie in closely with the history of the ceramic company: situated opposite of each other on a curvy road in Aslago/Haslach is the first ever showroom of THUN ceramics, operating from 1965-1990, as well as the St. Gertrude Chapel, a sanctuary built in 1777.

When Samuel Beckett writes the sentence Seeing a stone seat by the kerb I sat down and crossed my legs, like Walther. in his short story ‘The Calmative’, he borrows the image of the thinking poet, who famously was depicted in just such a pose whilst contemplating about the fundamental questions of human consciousness.

Language can often prove powerful, yet needing definition it mints an image. It is exactly these images that the three artists provide to this year’s audience.

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Artist in Residence 2017

09.06.2017

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Lindsay Lawson (b. 1982) is an American artist based in Berlin, Germany. Lindsay studied fine arts UCLA in 2007 (MFA, New Genres Program) and was Guest Student with Judith Hopf at the Städelschule, Frankfurt am Main). Spanning film, installation, photo, sculpture, performance and text, the Berlin-based artist “investigates states of infatuation” with the objects she chooses to engage with. This object oriented ontology manifests itself by collecting objects either physically or virtually and re-contextualizing them so that the emotions they elicit become evident, thereby exposing their inner lives. Her interest in shifting understandings of an object’s agency is in line with schools of thought such as object-oriented  new materialism and speculative realism.

Lindsay’s most recent solo exhibitions were Agency, 8-11, Toronto, Canada (2017); Dear Stranger, with Jenine Marsh, Entrée, Bergen, Norway (2017); Arrangements, 1646, The Hague, Netherlands (2016); Lampshading, Canapé Canopy, Auckland, New Zealand (2016) and The Inner Lives of Objects, Gillmeier Rech, Berlin (2016)

Artist in Residence 2017

09.06.2017

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Jimena Mendoza (b. 1979) is a Mexican artist based in Prague, Czech Republic.
 She studied Fine Arts in La Esmeralda, Mexico City and the Master in Visual Arts Program in Academy of Art, Architecture and Design of Prague, Czech Republic.
 In her work Jimena makes matrimony between divergent worldviews in a happily, unexpected and sensual encounters. Her works dialogue between applied arts, crafts and design; she is working mainly with ceramics, collage, glass and drawings. He work is influenced by indigenous and non-Western cultures, which she filters through her own idiosyncratic vision. In the previous years her projects have been influenced by the former Eastern European representations of the future and the gap between history and fiction, to launch anachronic and hybrid relations.

Recently her work has been featured in the following exhibitions: Forgotten Fruits, SVIT, Prague (2017); As if in a foreign country, Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna (2016); Casualidad/ Causalidad, Ferdinand Baumann Galerie, Prague (2016); Konstelovat, Kurimanzutto, Mexico City (2016); The Notion of Distance (THREAT), FUTURA, Prague (2016); Shape of relation, Berlinskej Model, Prague (2015).

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Corriere del Trentino

Lucia from the Corriere del Trentino came to visit us and had a long chat about this year’s residency. Find the featured article here.